Because of how design ideas in technology tend to come in cycles, it means we’re now set to reevaluate software from the 90s and 2000s with fresh eyes.Īnd it’s weird on some level that software makers haven’t worked out how to capitalize on that. That’s not just as a business case for people who used them the first time around. Vintage softwareĪnd I’d argue there’s another trend to observe: we’ve reached the point in software instruments where, like hardware, older titles might weirdly be set for revival. Corporate music tech marketing thinks you need a helper app that tells you which sound packs to use to get a particular genre. Never mind that the production community found Massive and Serum on their own and eagerly exchanged tips on how to use them. Two, the focus on business cases by big brands seems to eclipse any interest in instruments and personality. (That is, Native Access has to compete with Google and word of mouth for the same task.) Now customers are more than happy to grab independent software from developers a la carte – which also means, NI, they may not much care that there’s an updated version of Native Access that lets them search by genre. Remember that in 2000 people were even still buying software in boxes. One, while it made a big difference in 2000 that Absynth was discovered by Native Instruments, I’m not sure that developers need big publishers to achieve success anymore. There are a couple of patterns to notice here. But it does raise the question of why one of the developers that popularized the software synthesizer seems now to shy away from actually talking about them. I’m not sure any bundle that includes Reaktor really needs anything else, let alone another soft synth. The production community goes crazy about obscure modular synths, even as corporate marketing seems to only want to talk about sound packs. Reaktor is still there, and various instruments created on it, but you’ll notice that the K14 marketing doesn’t really mention synthesis at all. But creator Brian Clevinger, who continues to develop software at Absynth’s original parent Rhizomatic, does confide that he was more than willing to return to NI to reboot his instrument brainchild.Īnd with Komplete 14, Native Instruments is effectively down one flagship soft synth. We want to deeply thank Brian Clevinger for being such a great collaborator and inspiring creators over the years, and thank all of you for loving Absynth as much as we have.Ībsynth is a peculiar instrument, and one that was badly in need of an update – no one would argue otherwise. All users with a license will still be able to download and use it on current versions of Windows 10/11 or on Intel Macs up to macOS 12. Users who already have a license will not be affected, as Absynth will continue to operate normally. Absynth has also long been in need of updates and improvements, and we are unfortunately not able to provide the synth with the attention it needs.ĭue to this, we have stopped all sales and development activities effective immediately. Discontinuing Absynth was not an easy decision to make, but the resource required to keep the product in line with modern standards has become too much of a challenge. Unfortunately, we must acknowledge that this is sometimes not possible due to constantly evolving user needs and technological standards. We always aspire to provide the best user experience with each product that we offer in our catalogue. We know that this will be disappointing news for many of you who have been long-time users of the software synthesizer during its 22 years on the market. Native Instruments has made the decision to not include Absynth in Komplete 14, and to additionally stop selling it as an individual product. If readers want to comment on your experience with that, please do.) (They mention only Intel Macs here, though – while your mileage may vary – there’s nothing necessarily stopping you from running this under Rosetta 2 on your Intel Mac. The important takeaway – while new purchases will disappear, downloads are still available for existing customers, and there’s nothing stopping you using the current version of Absynth on your current OS and machines. Native Instruments has responded with an official statement. I’ll look at Komplete 14 separately I know for many users their interest won’t hinge on Absynth.
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